The Hunt
Director: Carlos Saura
Producer: Elías Querejeta
Screenplay: Angelino fons, Carlos Saura
Cinematographer: Luis Cuadrado
Editor: Pablo G. del Amo
Cast: Ismael Merlo, Alfredo Mayo, José María Prada, Emilio Gutiérrez Caba, Fernando Sánchez Polack
1966 | Spanish | 91 Mins | B/W
Three friends, José, Paco and Luis, go hunting on a hunting ground owned by Paco, which was the scene of a battle in the Civil War. They are accompanied by a young man called Enrique, who is going hunting for the first time. They are all going through difficult moments in their lives, and as the day goes on their frustrations begin to show. What looked like an uneventful day’s hunting becomes a showdown among the three men.
Carlos Saura Atarés (born 4 January 1932) is a Spanish film director, photographer and writer. Along with Luis Buñuel and Pedro Almodóvar, he is one of Spain’s most renowned filmmakers. With a long and prolific career spanning over half a century, Saura’s films have won many international awards. His films are sophisticated expressions of time and space fusing reality with fantasy, past with present, and memory with hallucination.
He began his career in 1955 making documentary shorts and gained prominence when his first film ‘The Street Boys’ (1960) premiered at Cannes, but made no waves. However, the trip was not in vain as Saura met Luis Buñuel, who later came to strongly influence Saura’s work.
Although he began as a neorealist, Saura switched to films with metaphors and symbolism in order to get past the Spanish censors. In 1966, ‘The Hunt’ won the Silver Bear at Berlinale followed by Special Jury Awards for ‘Cousin Angélica’ (1973) and ‘Cría Cuervos’ (1975) in Cannes and an Oscar for Best Foreign Language Film for ‘Mama Cumple 100 Años’ (1979).
1980s saw Saura make the Flamenco trilogy ‘Blood Wedding’ (1981), ‘Carmen’ (1983) and ‘Love the Magician’ (1986) in which he combined dramatic content and flamenco dance forms. The films were innovative versions of classic stories, made in collaboration with actor-dancer Antonio Gades.
To this day, Saura continues to make films which speak critically of his homeland.
In 2004, the jury of the European Film Awards honoured Carlos Saura for his life’s work.
In addition to his films, Saura’s favourite pastime is photography. The 85-year-old owns a collection of over 600 cameras and takes ‘at least one picture every day so as not to get out of practice,’ and exhibits his multi-award-winning photo collections.
